Oh man what I love about this scene is they actually recruited Disney Animators for this one sequence. The animators were thrilled to be able to do it and the producers for Family Guy were just BLOWN away at the length of detail the animators put in to this one sequence.
Room Portraits by Menno Aden
Through challenging camera angles Menno Aden abstracts most familiar actual living environments and public interiors into flattened two-dimensional scale models. A camera that the artist installed on the ceiling of various rooms takes pictures downwards of the interiors. The resulting images lay out space in symmetrical compositions that look like assemblages stripped off any kind of objectivity. The views into private homes and secret retreats bring up associations of the ubiquitous observation camera. The notion of surveillance is systematically played out by the artist to hint at society’s voyeuristic urge that popular culture has made mainstream.
"I brought that back, I threw it in there," she [Elizabeth Banks] said of the line, which was unscripted. "I did it, and Francis called cut, and I went over to him, and said, ‘You have to keep that in the movie, because the fans will go bananas.’ "
I KNEW IT WAS IMPROV I COULD FEEL IT
Glamour Magazine 2013